In painting, Symbolism represents a synthesis of form and feeling, of reality and the artist's inner subjectivity. Along with Austrian artist Gustav Klimt, Edvard Munch is considered as the most …

Munch's nomadic and self-imposed exile's life in Europe, from his mid-twenties to mid-forties - especially in the cosmopolitan, creatively fertile centers of Paris and Berlin - was undoubtedly …

Munch's The Scream is an icon of modern art, the Mona Lisa for our time. As Leonardo da Vinci evoked a Renaissance ideal of serenity and self-control, Munch defined how we see our own …

Munch returned to this deeply traumatic event again and again in his art, over six completed oil paintings and many studies in various media, over a period of more than 40 years.

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- Edvard Munch I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.”

Anxiety, 1894 by Edvard Munch This painting draws on two earlier departures: the anxious humanity moving forward as if driven by ominous elemental forces, as first conceived in …

Like Kandinsky, Munch is here both romantic and avant-garde, and the sun, indeed, is God. Illuminated by the sunrays are the water of the ocean, the bare rocks of a Northern landscape, …

As Sue Prideaux recounts in her new biography, Edvard Munch: Behind The Scream, he had tuberculosis and spit blood as a boy. His father's expressed preference for the next world (an …

Munch began working with printmaking in Berlin in autumn 1894 and the plates for Two Human Beings are among the first he created. This print is one of eight that made up a portfolio …