Has it really been two and a half years since we were given iZotope RX 11?! Well it’s been a long wait for the RX addicts ...

One of my main goals for NAB 2026 was to spend time with and talk to the creators of some of the AI editing tools that have ...

About fifteen years ago, the world suddenly realised that large-sensor movie cameras had become affordable, while ...

In the fast-paced world of production, efficiency isn’t just a luxury—it’s a requirement. Grips and cinematographers have ...

I saw a sad but not surprising email that came across today announcing that Digital Anarchy’s Transcriptive will hit end of ...

Following its earlier release for Sony E-mount, the AF 14-24mm F2.8 is now available for L-Mount. The ultra-wide zoom offers ...

Everything is video. And video cables are everything. For better or worse, we see the world through a digital display. Phones ...

Especially useful for solo creators and small teams who want a faster and simpler way to manage multi-light scenes, the new ...

NAB Show 2026 has officially opened the floodgates, ushering in a year defined by practical innovation rather than mere ...

Despite Adobe goes full bore on releases, its subscription model is very unpopular and Wall Street is backing AI tools ...

For years, the conversation around Avid Media Composer has lived in a strange tension between reality and perception. On one ...

Presented in an off-site private demo setting in Las Vegas, the demonstration transforms a hotel terrace into a working film ...