The question imposes itself irresistibly: Why are the same names always mentioned—Dürer, Grünewald—and not Cranach, Altdorfer, Stefan Lochner, Holbein? Why always Fra Angelico and not Filippo Lippi?
In the annals of twentieth‑century art, a radical departure from tradition erupted across Europe’s cultural capitals, giving birth to Musical Expressionism—an aesthetic that prizes the raw, often ...
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