As the artist shot his cinematically constructed images in the Berkshires, he was afflicted by mysterious maladies. “I felt my body betrayed me,” he said. By Arthur Lubow In the spirit of Halloween, ...
In 2011, fine-art photographer Gregory Crewdson left New York to live in a solitary church in the Berkshires. Coping with a difficult divorce, he found renewal in daily open-water swims and ...
But for his earliest bodies of work, made in the late 1980s and early ’90s, Crewdson hacked it the best he could. As a student at Yale’s MFA photography program, he shot what he could find in homes in ...
EXCLUSIVE: Oscar-nominated Bridge Of Spies producer Marc Platt has optioned Carla Buckley’s novel The Deepest Secret, with the plan for renowned art photographer Gregory Crewdson and his partner ...
Namacheko and Gregory Crewdson are working together, so let the story of Dilan Lurr, the label’s designer, be an inspirational lesson to us all: If you want to make something happen, then the best way ...
The haunting still images of fine art photographer Gregory Crewdson grow out of his vision of a place both sad and beautiful, he told audiences at the Camerimage film festival this week. Devotees of ...
Around six years ago, during what he describes as a “dark time” in his personal life, Gregory Crewdson left New York for the Berkshires, where he’d spent a large part of his childhood at his family’s ...
EXCLUSIVE: Focus Features has acquired Reflective Light, clearing the way for celebrated art photographer Gregory Crewdson to make his feature directorial debut, with La La Land‘s Marc Platt producing ...
Photographer Gregory Crewdson, whose influence can be seen in the look of shows such as 'Dark,' 'Mindhunter,' and 'Stranger Things,' opens new show 'An Eclipse of Moths' at Gagosian Beverly Hills. By ...
Photographer Gregory Crewdson is known for his cinematic productions that place his themes of isolation and alienation within the Berkshires landscape in one meticulous photograph. His new show at the ...
Crewdson carefully constructs his tableaux and then bathes them in soft, suffusing twilight, real and artificial. Then he takes the photograph. Something has happened or is about to happen; we don’t ...